Out of Zion has come the world’s tiniest Bible, engraved in gold on silicon, to illustrate the science of nanotechnology. Assim, o texto ficará visível a olho nu em um painel de 7m x 7m.Īnd Out of Zion Will Come the World’s First Nano-Torah – Arutz Sheva: 17 Tevet 5768, December 26, ’07 Assim, eles poderão ampliar a fotografia em 10.000 vezes e exibi-la em uma parede gigante na Faculdade de Física do Instituto. Agora, os cientistas estão tentando fotografar a nano bíblia com o SEM. Ao direcionar um feixe de partículas para vários pontos sobre o substrato, é possível gravar qualquer padrão de pontos, especialmente aquele que represente um texto. Ao observar as palavras escritas sob um microscópio eletrônico de varredura (SEM, em inglês), os pontos expostos de silício ficam mais escuros que o ouro em sua volta, facilitando a leitura. O diâmetro do ponto exposto tem cerca de 40 nanômetros. Ao se direcionar um feixe de partículas para um ponto sobre a superfície, os átomos de ouro saem desse ponto, expondo assim a camada de silício que estava por baixo. A nano bíblia foi escrita com a técnica de Feixe de Íons em Foco (FIB, na sigla em inglês). A equipe, liderada por Uri Sivan, diretor do Instituto de Nanotecnologia do Technion, e Alex Lahav, ex-chefe do Instituto de Pesquisas em Microeletrônica, conseguiu “escrever” as 308.428 palavras da primeira parte da Bíblia sobre uma superfície de 0.5mm² de silício, coberta por uma camada de ouro de 20 nanômetros. Fica aqui o registro.Ĭientistas do Instituto Technion, em Haifa (Israel) acabam de bater o recorde de menor Bíblia do mundo – ou, pelo menos, do menor Antigo Testamento já impresso. As a complement to her insightful literary analysis, Professor Colbert Cairns also considers the importance of Esther in the plastic arts, which is a new line of converso-related research by which Colbert Cairns reaches pioneering conclusions regarding the intersection between contemporary literature and art history.” (Gregory B.A notícia já saiu em vários meios de comunicação e pode ser encontrada com facilidade em muitos biblioblogs em inglês. “In Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas, Emily Colbert Cairns advances the field of converso studies by providing a groundbreaking exploration of a variety of European and American literary texts from the 16th through the 18th centuries that depict Queen Esther. Her reading of the sources is innovative and thought-provoking.” (David Wacks, Bulletin of the Comediantes, Vol. Colbert Cairns has given us an originally conceived, timely, and insightful study of a novel combination of sources, painting us a vivid picture of the Iberian and American imaginary of Esther, an important cultural icon around which crystallize issues of gender, sovereignty, and religious authority. “Real success with this book is in the conception of the project, her selection of primary sources, and her close readings of the sources. This volume instead proposes a model of a Sephardic nationality that existed beyond geographical borders. These narratives reveal national undercurrents where religious identity was transitional and fluid, thus problematizing the fixed notion of national identity within a particular geographic location. Emily Colbert Cairns analyzes the many retellings of the biblical heroine that were composed in a turbulent early modern Europe. She was an early modern globetrotter and border transgressor. At once a queen and minority figure under threat, for a changing Iberian and broader European landscape, Esther was compelling and relatable precisely because of her hybridity. The biblical Esther -the Jewish woman who marries the King of Persia and saves her people - was contested in the cultures of early modern Europe, authored as a symbol of conformity as well as resistance. This book explores Queen Esther as an idealized woman in Iberia, as well as a Jewish heroine for conversos in the Sephardic Diaspora in the sixteenth and seventeenth centuries.
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